In this tutorial, we’re going to learn the different ways that gradients can be aligned to strokes in Adobe Illustrator. – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -…
If you want a new look for your room, and you want more than “just paint” consider the beauty of wallpaper. After all, if you think of wallpaper as clothing for your walls, you will soon realize that there are endless possibilities found in this versatile wall covering.
Just a short time spent in your local home improvement store and you will soon discover the wallpaper choices available today range in price from very low to truly over the top. And when it comes to patterns, colors and quality you could spend several days looking at all there is, and still not find exactly what you want, simply because the choices are so varied.
But what is it about this wall covering that has kept it around for years? For some it is the elegance it offers with just a bit of work, for others it’s a form of artwork, and for others it is a way to combine all the colors in the room into one focal point. With the many ways that wallpaper is used today, one has to wonder if the inventors of wallpaper had any idea that what started off as a way to duplicate hand painted walls would still be around centuries later. Consider these interesting facts about the origins of wallpaper.
- Wallpaper was first used in China in 200B.C. As the Chinese passed this knowledge to other cultures, the uses and methods of making paper improved with each generation and as other cultures added their own touches.
- In 1841 Jean Bourdichon painted 50 rolls of paper with angels on a blue background for Louis XI of France. The paper was used to decorate his various residences. Other of the elite set, soon began hiring painters to create these painted paper wall coverings for them.
- The oldest known pieces of European wallpaper still in existence are from 1509 and were found on the beams of the Lodge of Christ’s College in Cambridge, England.
- In 1675, Jean-Michel Papillon, began making block designs in identical, repetitive patterns on rolls of paper and wallpaper as we know it today was born.
- Americans began using wallpaper in 1739, when it was introduced by the Philadelphia printer, Plunket Fleeson.
- In 1778, Louis XVI issued a decree that required the length of a wallpaper roll be about 34 feet.
- Around the turn of the 20th century wallpaper pasting machines were invented.
- During the 1920s nearly 400 million rolls of wallpaper were sold, resulting in the decade being dubbed the Golden Age of Wallpaper.
- After WWII, wallpaper was improved with plastic resins which made it more durable, washable and stain resistant.
- The United States Guild of Professional Paperhangers began in 1974.
Wallpaper has definitely come a long way from being painted by hand. Today technology has added to its durability, design and uses. So, if you are looking for a new look for a room take some to check out some wallpaper.
הצצה להוואי הססגוני שמתרחש מדי יום בחנות לתשמישי קדושה בשכונת התקווה, אצ”ל 52 תל אביב, בהנהלת סופר סת”ם ומגיה מוסמך.
אנחנו כבר רגילים לראות את השמחה והחדווה מתפרצת בריקודים, בשיתוף מסיפורי יו-יום ובהתרוממות של הנחת תפילין לילד בר מצווה או בקניית סט לנרות שבת, מתנה לחג או טלית לחתן.
ככה זה כשכל כך הרבה לבבות טובים מגיעים להיפגש סביב ערכים וקדושה. מוזמנים בשמחה!
לתיאום הגעה מראש ולבירורים נוספים: יורם, סופר סת”ם ומגיה מוסמך 052-2220957
You are invited to experience what is happening every day in a Judaica shop in the Hatikva neighborhood, 52 Etzel St. Tel Aviv, under the direction of R. Yoram Mokdes.
We are used to seeing the joy bursting with dancing, sharing daily stories and the exaltation of tefillin for a bar mitzvah boy or buying a set for Shabbat candles, a holiday gift, or a tallit for the groom.
That’s how it is when so many good hearts come to meet around values and holiness. You are welcome!
To coordinate arrival in advance and further clarifications: Yoram, Sofer Stam 052-2220957
Montserrat font: https://www.fontsquirrel.com/fonts/montserrat Create vector text in halftones using Inkscape. In this video I use a technique I learned from …
Because I have admired the Spanish philosopher and art critic Jose Ortega y Gasset (1883 – 1955) for many years, I have been reluctant to review any of his books. His writing style offers a peculiar angle of vision about culture, philosophy, and art. As a result for years I’ve been a consumer, always taking from his work and never giving anything back.
But now it’s time to give something back. So, here are some very personal likes and dislikes.
Ortega’s title of the book -The Dehumanization of Art- is now a constant in music, literature, aesthetics, and philosophy, having come to mean that in post-modern times human-shaped mimesis (representation of the human) is irrelevant to art.
According to Ortega, the arts don’t have to tell a human story; art should be concerned with its own forms-and not with the human form. The essay, divided into 13 subsections, was originally published in 1925; in these brief sections Ortega discussed the newness of nonrepresentational art and sought to make it more understandable to a public much benumbed with the traditional forms of art.
A search for the substance of traditional art
In the first section entitled, “Unpopularity of the New Art,” Ortega draws from his political credo which one can say it is elitist, aristocratic, and anti-popular. His analysis concludes with the belief that some people are better than others; that some are superior to others: “Behind all contemporary life lurks the provoking and profound injustice of the assumption that men are actually created equal.”
That unbending political point of view colors his aestheticism.
The masses, he holds, will never understand the “new art” that was emerging with Debussy and Stravinsky (music), Pirandello (theater), and Mallarme (poetry). A lack of understanding will mobilize the masses -a term that Ortega uses frequently to refer to the common people- to dislike and reject the new art. Therefore, the new art will be the art for the illustrious, the educated, and the few.
To bring that kind of divisive tool -the few versus the many, aristocrats versus democrats- into the arts seems not only narrow minded, but also disingenuous. Yet my main objection to Ortega’s analysis and conclusions is more fundamental. In my estimation, ‘understanding’ in the arts is of secondary importance. The arts are created by humans to reach out and touch other humans by means of appeals to their passions and emotions-through their senses.
When I was 14 years old, by accident, I heard a musical composition that was so different and strange to my young ears that prompted me to call the radio station to find out about that piece. It was Appalachian Spring, a ballet composition by Aaron Copland. What 14-year old boy from the Andes (Peru) can be familiar with ballet or Aaron Copland to even begin to understand the composition? Yet, I liked it. And that is all that mattered to me.
Understanding that piece of music, or even knowing the name of the composer, was as far away from my mind as was Einstein’s theory of relativity, since I had no idea who Einstein was either. Delight, enjoyment, and rapture one feels without expressed understanding.
By extolling the new forms and promoting the vanguard artists and their efforts to produce non-traditional art, Ortega’s book had a significant influence in the rejection of realism and romanticism. So seductive and convincing was Ortega’s prose that many artists and critics began to equate both realism and romanticism with vulgarity.
To allow a brilliant writer to exert so much authority should be a sin. For years Ortega’s authority has bothered me. Yet, despite that inner annoyance, my respect for the man’s writings inhibited me from protesting. So, by stripping Ortega’s dazzling prose of its seduction -by “bracketing” and performing a phenomenologist reduction- we can see it in its own nakedness for what it is: an elitist and harmful point of view.
People should never be made ashamed of their taste, likes, and dislikes in art. We should enjoy that touch of aesthetic delight whether it comes from primitive, Greek, Gothic, Romanesque, Baroque, realism, or romanticism, surrealism, or any period or movement.
Ortega advocates the ‘objective purity’ of observed reality
Following Plato’s division of reality into the forms (universals) and their simulacra, Ortega invents his own corresponding terms: ‘observed reality’ and ‘lived reality.’
The representation of real things (lived reality) – man, house, mountain- Ortega calls “aesthetic frauds.” Ortega totally dislikes objects be they man-made or natural: “A good deal of what I have called dehumanization and disgust for living forms is inspired by just such an aversion against the traditional interpretation of realities.”
In contrast, the representation of ideas (observed reality) is what he views as the true art. Therefore, he praises the new art as the destroyer of semblance, resemblance, likeness, or mimesis. In that destruction of the old human forms of art lies Ortega’s “dehumanization.”
Yet one must recall that more that more than 2500 years ago, the pre-Socratic philosopher Protagoras said, “Man is the measure of all things: of things which are, that they are, and of things which are not, that they are not.” Ortega’s will to “dehumanize” art will always run head on against Protagoras’ wall. Art by definition – anything that is man-made- is profoundly human and cannot be otherwise, Ortega notwithstanding.
Even in the stark canvases of painters such as Mark Rothko one feels the artist’s humanity in search of the human soul through color and luminosity. Even in the random drippings of Jackson Pollock’s works one can sense man’s struggle for freedom. And what is freedom but a human aspiration?
Whenever I look at the shapes of primitive African art, the Paleolithic images of animals in the caves of Lascaux, or even the colorful and balanced grids of Mondrian-I’m in awe of the human spirit. And at such times I feel that labels, signs, markings, and explanations and descriptions (theories) are totally unnecessary.
What we need are theories of art that can unite people rather than divide them. Ortega’s “dehumanization” is a toxic theory not because it advocates a detestable elitism, but because it attempts to deny the pleasures of art to the common people.
Art has always been a reflection of the emotions, personal struggle, and the path breaking events of a contemporary society. When a society demands or undergoes a change, art has mostly subtly complied with it. The Oxford Dictionary describes art as “the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance.” In effect, art definitely is an expressive platform for individuals, groups, as well as society, especially the radical changes or events witnessed thereof. It usually depicts the current or a particular scenario in the purview of the political situation, economic, social, geographical, the emotions spun therein, the undertones of revolutions, and uprising, to name just some.
If we go periodical about discussing art as a reflection of society, then we begin from the most ancient. The ‘Prehistoric Art’ consisted of paintings on the rocks and caves, which symbolized their routine lifestyles and rituals. The paintings were therefore, an evidence of their culture, which helped historians derive information about the life, culture, and the civilization of this era. The famous ‘Indus Valley’ or ‘Harappa,’ ‘Greek,’ and ‘Egyptian’ civilizations, especially had prolific artistry, including sculpture, architecture, paintings, engravings, and metal art.
In fact, the most we know about these amazingly rich civilizations, is credited to their narrative artifacts and buildings only. For instance, the ‘Egyptian Civilization’ believed in life after death. The society therefore, had a strong spiritual framework, concentrating more on the human journey after death. They believed in immortality and worshipped many deities, a fact distilled from the paintings adorning the walls of the great Pyramids. The Greek Civilization however, was more emphatic about the human form, its poise, and beauty, reflecting mostly on the attires, body languages, hairstyles, and cultures prevailing over different periods.
Creativity adopted the sects of ‘Art Movement’ to depict the realities of a contemporary society, vis-à-vis, its stable fabric, regularly changing aspects, and even revolutions. The impact of the contemporary socio-political scenario has also always been portrayed. For instance, before the First World War, Paris used to bustle with great political activity. This restlessness somewhere influenced the development of ‘Cubism’ by Pablo Picasso and Georges Braque. ‘Cubism’ involved the depiction of a particular subject from multiple angles, a practically prevalent situation then. The artistry turned mysterious in essence, to manifest the hatching of diverse political conspiracies in Paris at that time.
Expressionism’ was another art form developed, when the society was undergoing transitions at different levels, including creative. There was a revolt against the traditional outlook towards art. A modern approach was adopted. The ‘Modern Art’ was a blend of ‘Abstract Realism,’ in which the subject was distorted to depict its reality and emotional upheaval. The colors in the paintings have nearly always portrayed the true emotions of the subject, the event, or the mood of the artists.
To conclude, we can say that art may always not be beautiful aesthetically or comprehensible to all. It however, should be powerful enough to portray the current emotions of the society, including exposing harsh and subtle truths, while also encouraging the betterments. The only constant in the world is change. In tune, societies metamorphose through different annals of time and art helps capture the resulting twists and turns in the contemporary culture and lifestyle.
How to draw inside of objects in Adobe Illustrator. Website: http://www.tutsandtech.com.
The Brother SE400 Embroidery and Sewing Machine has a USB cable port. This means you can connect the SE400 directly to your computer. You can then download embroidery designs saved on your computer into the SE400. This article explains step-by-step how to do this.
Choose .PES or .DST Embroidery Design File Format
You can buy additional embroidery designs for the Brother SE400 on CD or download them from the Internet. In addition, many online sites, including Brother.com, have designs you can download for free.
The Brother SE400 can only handle embroidery data files in .PES and .DST format. Be sure to get the right file format.
Check that hoop size is 4×4 inches.
Copy Or Download The Embroidery Data Files To Your Computer
I usually store all of my designs in a folder called “Embroidery Designs” on my Desktop. Then I organize them in sub-folders by type. For example, “Flowers” or “Sports.” Make sure that the file names don’t contain special characters. It’s safest to only use letters, numbers, hyphen (-), and underscore (_).
Connect Your Computer To The Brother SE400
Plug the included USB cable into the USB port on the right side of the SE400. Connect the other end of the cable to the USB port on your computer. Make sure both the computer and embroidery machine are turned on.
You should see the “Removable Disk” icon in “My Computer” on your computer.
Copy The Embroidery Design Data Files To “Removable Disk”
Copy the embroidery data files you want to use to “Removable Disk.” Do not put folders in “Removable Disk.” The SE400 cannot recognize folders or find embroidery patterns in folders.
Do not copy more than 12 patterns to “Removable Disk.”
Save the patterns to the machine’s memory. Otherwise the patterns in “Removable Disk” will be lost when you turn off the SE400, and you will have to copy them over from the computer again.
Select The Pattern You Want To Stitch
Press the USB icon on the LCD screen. The downloaded patterns are displayed. If you have a .PES file, you will see an image of the design. Move to the pattern you want using the Previous and Next page keys. Press the Retrieve key.
The Tajima ( .DST) Embroidery Data Files are limited. Only the first eight characters of the file name will be displayed in the pattern list, not the image of the design. Also the .DST format does not contain specific thread colors and will be displayed with Brother’ default color sequence. Check the preview and change the thread colors to what you like.
Embroider Your New Pattern
Edit the design and begin stitching.
For Macintosh Users
Even though Brother says the SE400 is only compatible with Windows, it works just fine with the Macintosh. Connect it to your Mac’s USB port. The SE400 will show up as an external hard drive, named “No Name.” Just drag and drop the embroidery files to this drive. The rest of the instructions should be the same as the PC.
We are living in a world surrounded by numerous things that are either related to the technology, the latest gadgets or the latest fashion. And Fashion today has made its significance felt in almost all sectors of life. Fashion can be termed into two groups: One group which follows fashion trends and adopts them and the other group who create fashion and style statements for the others to follow them. It can also be extended to another set of people who rarely have anything to do with fashion trends but yet follow their own style to create their own unique personality; adding one more style to the fashion world.
Fashion is not just about cosmetics and make up or the hair-do. It is a sense of creating the charisma of looking good in anything you wear and this magic is created with the right kind of accessories going along with the foot wear and the clothes, making up a pleasant picture to view. Many a times, people who do not afford to buy expensive clothes look their best in their casual wear, just by presenting themselves in that manner of sophistication and creating an aura around them with the confidence of looking good.
There are myriad forms of fashion, and trends keep on changing with the seasons. From the early 60s and 70s to the present millennium, there has been an immense change in the forms, looks and thoughts about fashion trends.
In India, much of fashion has been influenced by the Hindi Film Industry, popularly called Bollywood. The trends that have changed through time can be fairly seen in the movies made during the 60s and 70s and how they have evolved in various forms bringing about a style that can be followed by the general public. People have aped the west from very early times and this was no exception. The clothes made in the 60s and 70s were very much influenced by the western countries and given a traditional touch. The Bell Bottoms, scarves and the hair style was very much prevalent in those days as an icon of style. Later in the 80s and 90s, Fashion world sizzled like never before. There was a craving by the people to look different, stylish and modern and this could be seen in their outlook towards their outfit, new styles of hair, makeup, accessories like purses, earrings, necklaces, matching footwear etc.
People were conscious about each and every new thing that was marketed and they copied the styles from their Bollywood idols. Bollywood started as a platform for theatre artistes and went on to become a commercial entry to the youths and aspirants for a career in the film and fashion industry. This gave the youth of today to emphasize on the fashion world. Art and music have become an inseparable thing of the past and so it is deeply rooted in the present as well with more features and facilities.
Today fashion, art, music, designers, dance etc all have a place in the industry and people can choose to take up anything related to this industry as their profession too. Art and music have long been implemented in the school co-curricular activities and the Higher colleges are now offering various courses for better professionalism in these areas. There are also various acting schools and the small screen i.e., the television has opened up avenues in bringing out the talent in the young minds through numerous platforms of music and dance. This is the innovation of the millennium in creating jobs and work in the fashion industry. The trends that we see are brought about by the fashion houses that have regular seasons to showcase their invention, many of which are popularized in FTV, Zee Trendz and TLC channels. We can also get a glimpse of the stylish outfits through these shows that the models present. Today, Modelling is also one of the platforms for an entry into the world of fashion.
In the yester years, fashion was constrained only to the actors in the film or those that were bold enough to carry themselves in the public that they were considered fashionable. Others just wooed them behind close doors. Slowly when times began changing, we could see the women showing off their styles in the traditional saree with an embroidered blouse and a different neck style. Then we saw the saree being draped in various styles like the Bengali style or the Gujarati style etc. The women were liberating their choice of freedom and it could be seen in their appearances with a high heeled slipper or the handbag she carried or the way she held her saree or the hair and the makeup she wore. All these changes brought about the invention of churidhars and then the salwar kameez and finally the fashion of dresses was out in the open. Women accepted to the fact that there was nothing wrong in looking good and the men of course, loved to see the attractive side of women and fantasized the idea over their spouses.
This change in attitude of the public was very well taken by the fashionistas and a huge market was created to meet the demands of the public. Today fashion creates a new look with distinct style for a particular person and keeps oneself updated with the latest trends seen in the market. This industry is popular for its glamour as well as the mixture of Indian tradition and culture put into the designer wear that the models showcase.
People love to experiment different textures of materials used in the outfits and so the designers give them a wide collection of dresses using all kinds of clothes. There is the traditional Khadi and silk combination that is presently creating waves seen in both men’s and women’s wear. Then we have the embroidery work in zardosi, swarovski studded tops and lehangas and multi stoned work in bridal collection sarees etc. Then the most sought materials like cotton, polyster, chiffon, crush materials used in varied iconoclastic designs and styles.
Always there is a hope for the designers that the youth want a change in the fashion and are glad to keep up the trend with a fusion of Indian and western mix of fashionable wear. Also the youth of today are very practical in their sense of styling for a particular occasion. Be it a party or for a marriage or the casual look, they want the best and they believe in looking the best. And to achieve this, people go one step ahead in ensuring that they have everything in their wardrobe for any kind of occasion.
Apart from the stylish clothes and fashion that is currently popular people want to try something that goes along with their outlook. So the market started towards the very own friend of a woman- The Hand Bag or the Purse. The Fresh look of a purse with magnificent colours and its stylish features like the chain handle or the jazzy zips with numerous pockets in different shapes attracted the public like never before. And with the increasing demand of the prices of branded purses, it became a must for every woman to complete her shopping. So did the other accessories line up by creating a place for themselves in the market. Just a few to quote, the earring and necklaces, the various Belts, hand bracelets and brooch, the stiletto and its wonderful embroidered, party wear slippers along with its brotherly high rugged shoes giving a perfect cowboy look etc.
Fashion has always been a very interesting topic for all women and now the trend has even challenged the men to compete for a more appealing look for a remarkable future in the world of Fashion to make it a full fledged acceptable thing for all genre of people.
Kiriti C Chavadi
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