ScreenTest Warhol



The films were made between 1964 and 1966 at Warhol’s Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in ‘slow motion’ at 16 frames per second.

Many of the Screen Tests were arranged in different compilations such as 13 Most Beautiful Women, 13 Most Beautiful Boys, and 50 Fantastics and 50 Personalities. This was done with the intention of pleasing certain audiences to whom Warhol was exhibiting his art.

Nearly 500 Screen Tests were made, but not all kept.

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Sir Peter Blake talks for 1st time about why he didn’t take part in Sgt. Pepper 50th anniversary



On ‘Free Seed On Soho Radio’, Sir Peter Blake talks for the first time about why he didn’t take part in the Sgt. Pepper 50th anniversary.

Interviewed by Ben Ramble and artist Abi Moffat, the full interview can be heard here:

http://www.freeseedfilms.com/radio

Just click on Episode 170!

Free Seed On Soho is on Soho Radio, every Wednesday, between 10am and 12pm.

Links:
http://www.freeseedfilms.com

http://www.twitter.com/freeseedonsoho


http://www.instagram.com/abimoffat

http://www.instagram.com/peterblakeartist

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Charles Bell 查爾斯·貝爾 A (1935-1995) Photorealism American



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Charles Bell (1935–1995) was an American Photorealist who created large scale still lifes.
According to a Guggeheim Foundation biography, Bell never received any formal training in his art. He claimed inspiration from Richard Diebenkorn and Wayne Thiebaud. He also worked in the San Francisco studio of Donald Timothy Flores, where painted mostly small-scale landscapes and still lifes. He was given the Society of Western Artists Award in 1968. After moving to New York, Bell created his paintings by photographing a subject in still life.
With a subject matter primarily of vintage toys, pinball machines, gumball machines, and dolls and action figures (the latter frequently arranged in classical poses), Bell sought to bring pictorial majesty and wonder to the mundane. Bell’s work, created in his New York loft studio on West Broadway, is noted not only for the glass-like surface of his works, done largely in oil, but also for their significant scale. In 1995 he was included in the exhibition ‘American Masters’, curated by Michael McKenzie (artist) for the Museu d’Arte Moderne in São Paulo, along with Robert Indiana and Andy Warhol, two artists Bell admired. For the exhibit, Bell created a silkscreen print titled "The Viking" largely regarded as a masterpiece of the medium which required 51 plates, 11 proofings and 10 months to produce.
Bell was born and raised in Tulsa, Oklahoma, where he graduated from Will Rogers High School in 1953. He earned a Bachelor of Business Administration degree from the University of Oklahoma in 1957, then served for two years in the U.S. Navy as a lieutenant. Bell lived in the San Francisco Bay Area after leaving the navy, and began his artistic activity in San Francisco. He moved to New York City in 1967 and set up his own studio. Bell worked as an accountant and served as comptroller of the International Nickel Corporation until 1980. Thereafter, he was a full-time artist. He had exhibited his works as early as 1969 at the gallery owned by Louis K. Meisel.
Bell died in Manhattan, New York of lymphoma on April 1, 1995, at age 60. He had AIDS at the time of his death. His partner of 22 years, interior decorator Willard Ching, had died of an AIDS-related illness three years earlier, in 1992. They are buried alongside each other at Diamond Head Memorial Park, Honolulu, Honolulu County, Hawaii, U.S.
After Bell’s death, Louis K. Meisel of the Louis K. Meisel Gallery became the owner of all intellectual property rights to the body of art created by Charles Bell.
Bell’s works are housed in the collections of The Metropolitan Museum of Art, New York, The Solomon R. Guggenheim Museum, New York, and the Hiroshima City Museum of Contemporary Art, Japan, among others.
According to art critic and historian, Henry Geldzaler, Bell’s best works were in the pinball series. The New York Times quoted Geldzaler as saying, "…the artist’s greatest achievement — visually, technically and technologically."
查爾斯·貝爾(Charles Bell)(1935-1995)是一位美國的真實家,創造了大量的靜物。
根據古蓋希基金會的傳記,貝爾從未接受任何正式的藝術培訓。他從Richard Diebenkorn和Wayne Thiebaud中獲得靈感。他還曾在舊金山的唐納德·蒂莫西·弗洛雷斯(Donald Timothy Flores)的工作室工作,那裡主要是小型景觀和靜物畫。 1968年,他獲得了西方藝術家協會獎。在搬到紐約後,貝爾通過拍攝靜物拍攝的作品,創造了他的作品.
以主題為主題的複古玩具,彈球機,手搖機,娃娃和動作人物(後者經常按古典姿勢排列),貝爾試圖帶來圖畫​​威嚴和奇蹟。貝爾在紐約的百老匯高爾夫球場上創作的作品,不僅僅是作品的玻璃般的表面,主要是在油畫中,而且也是它們的重要尺度。 1995年,他被包括在聖保羅Museu d’Arte Moderne的邁克爾·麥肯齊(Michael McKenzie)(藝術家)和羅伯特·印第安納(Robert Indiana)和安迪·沃霍爾(Andy Warhol)兩位藝術家貝爾讚賞的展覽“美國大師”中。對於展覽,貝爾創造了一個名為“維京人”的絲網印刷品,主要被視為介質的傑作,需要51張印版,11張打樣和10個月的製作。
貝爾在俄克拉荷馬州塔爾薩出生長大,於1953年畢業於威爾·羅傑斯高中,1957年從俄克拉何馬州大學獲得工商管理學學士學位,後來在美國海軍擔任中尉兩年。 貝爾在離開海軍後住在舊金山灣區,並在舊金山開始藝術活動。他於1967年搬到紐約市,並建立了自己的工作室。 貝爾擔任會計師,並擔任國際鎳業公司的總裁直到1980年。此後,他是全職藝術家。他早在1969年在路易斯·梅塞爾(Louis K. Meisel)擁有的畫廊上展出了他的作品。
貝爾死於1995年4月1日在紐約曼哈頓紐約曼哈頓,60歲。他死亡時患有艾滋病。 他在二十二年的合夥人,內部裝修師Willard Ching,三年前在一九九二年因艾滋病相關疾病而死亡。 他們在美國夏威夷檀香山檀香山鑽石頭紀念公園相互埋葬
貝爾逝世後,路易·梅西爾畫廊的路易·梅西爾(Louis K. Meisel Gallery)成為了所有知識產權的擁有者,由Charles Bell創造的藝術品。
貝爾的作品位於紐約紐約大都會藝術博物館,紐約所羅門·古根海姆博物館和日本廣島市當代藝術博物館等館藏。
據藝術評論家和歷史學家亨利·蓋澤薩爾(Henry Geldzaler)說,貝爾最好的作品是彈珠系列。 “紐約時報”引用Geldzaler的話說:“藝術家的最大成就 – 在視覺,技術和技術上。”

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Hank Hill Reviews Art



This video is a review of some fine art works by none other than the poster boy for Arlington Texas himself, Mr. Hank Hill! Let’s see how many ways we can relate propane to top notch art.
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Here’s a list of all the pieces:

Unkown painting by Jackson Pollock

The Persistence of Memory by Salvador Dali

Morgan Freeman Ipad Painting by Kyle Lambert

Amitabha Triad -Goryeo Dynasty (korean)

Master Roshi by Akira Toriyama

Campbell Soup Cans by Andy Warhol

Sleeping Shepherd by Francois Boucher

Blue Line, 1919 by Georgia O’Keeffe

The Dinner Party by Judy Chicago

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Nathaniel Donnett I Can Show You Better Than I Can Tell You Black Vernacular



‘I Can Show You Better Than I Can Tell You: Black Vernacular’ a performance by Dark Imaginarence practitioner Nathaniel Donnett and special guests in conjunction with the artist’s exhibition ‘In One Form or Another; Verse One’ at Art League Houston.
Special Guests: Tyres Donnett, Lindsay Gary, Nick Muckleroy & Megan Sparks
Video: Ronald Jones
Photo: Alex Barber

Dark Imaginarence practitioner Nathaniel Donnett performance riffs on an African American proverb illustrating how words can’t always express meaning as fully as the actual experience. By showing you as opposed to telling you, the saying implies there is more space created to consider in terms of the context of something or idea as a whole rather than a fragment of that something or idea. Donnett presents a vignette of performances as a metaphorical EP (extended playing record) and a simulacrum of Black American music to form open ended poetic forms through sound, movement, imagery, and video allowing the audience to make their own connections regarding the ideas explored. Donnett explores concerns of identity, memory, Black American vernacular and expression, the binary of language in contemporary art and the commons.
Donnett lives and works in Houston, Texas, and is the recipient of a 2017 Individual Artist Award, Artadia Award, Idea Fund/Andy Warhol Foundation Grant, and Harpo Foundation Grant. Donnett has shown work internationally, including the Ulrich Museum, Wichita, Kansas, Kemper Museum, Kansas City, The Contemporary Arts Museum Houston, Houston, The New Museum, NY; and the National Museum, Lima, Peru.

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The Cars – Hello Again (OFFICIAL MUSIC VIDEO)



Watch the official video for The Cars – “Hello Again”. The song was released in 1984 as the fourth single from the album Heartbeat City.

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Official Merchandise: http://goo.gl/HcwiD
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Andy Warhol and the Velvet Underground



Complete video at: http://fora.tv/2009/12/09/Live_from_the_NYPL_The_Velvet_Underground

Remaining members of The Velvet Underground Lou Reed, Moe Tucker, and Doug Yule remember the pivotal role that producer Andy Warhol played in their success. Guitarist, vocalist, and principal songwriter Reed describes Warhol as a “big protector” of the band’s originality.

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In the historic ferment of Sixties rock, the Velvet Underground were the perfect band in the right city, New York, at a crucial time.

For five years (1965 to 1970) singer-songwriter and guitarist Lou Reed, bassist and viola player John Cale, guitarist Sterling Morrison and drummer Maureen Tucker, with the German vocalist Nico and bassist Doug Yule (who replaced Cale in 1968), broadcast the real life of their home town the sex, drugs and art; the furious street energies, hidden pleasures and desperate romance in an unprecedented pop music of vivid storytelling and transgressive excitement.

Today, the Velvet Underground are the stars they always deserved to be, with a rich and still mysterious story that continues to unfold: in the new visual collection, The Velvet Underground: New York Art, and tonight, in this unprecedented reunion of Reed, Tucker and Yule-the words, music and rhythm of The Velvet Underground. – New York Public Library

Guitarist Lou Reed co-founded and wrote most of the songs for the New York rock group The Velvet Underground (1965-70), the influential band which recorded such cult favorites as “Heroin,” “Sweet Jane,” and “Sister Ray.” The Velvet Underground, at first associated with Andy Warhol and the singer Nico, was never a huge popular success, but it has been credited with influencing a generation of punk and post-punk rockers in the 1970s and ’80s.

During the ’70s Reed and David Bowie were among the top acts in “glam rock,” a theatrical style of gender-bending rock and roll. Reed’s solo hits from the ’70s include “Walk On The Wild Side” and “Street Hassle,” as well as re-vamped versions of several of his Velvet Underground songs. By the end of the 1990s, Reed was an elder statesman of rock and roll, a mature songwriter with a reputation for thoughtful urban ballads. He was inducted into the Rock and Roll Hall of Fame in 1997.

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